I love to have a glance at the Couture catwalks every 
season, the quality, the creativity and the uniqueness of the pieces are
 captivating to look at. Here’s a quick round-up of the a spring couture
 ‘12 Paris catwalk shows.
Valentino
   
Valentino
Images via: Style.com
Pure luxury: lace, embroidery and appliqué. The collection had an 18th Century influence, harking back to those iconic figures like Marie Antoinette.
Designers Paolo Piccioli and Maria Grazia Chiuri presented a beautifully delicate collection in the grandeur setting of the salons of the Hôtel Salomon de Rothschild. The models elegantly draped in floor sweeping gowns, scattered in poesy prints, organza lace cutouts, with high-embroidered necklines, and taffeta fabrics, which had an Antique appearance. A dreamy and ethereal collection.
Christian Dior
Images via: Style.com
Christian Dior has a new man in charge, Bill Gaytten, who reverted 
the charm back to the brands origins and history of Dior’s ‘New look’, 
cinched waists, peplum jackets, and exquisitely constructed tailoring. 
 Pleats a plenty, mock-croc leather accents and even a dosage of checks 
and flower prints made up the beautifully crafted creations.
"All the structure of iconic Dior, thanks to lots of fittings, but all of it see-through," - Bill Gaytten 
Chanel
Images via: Style.com
 “Welcome to Air Chanel, we are ready for take off”…
Renown for incredible set designs the Chanel runaway was an aircraft/ space shuttle… referencing the old school glamour of Pan Am perhaps?
With 150 different shades of blue the drop waist relaxed looks had an elegant twist with beautiful shimmering fabrics, 1920’s foundation with futuristic cuts and silhouette. Chanel went to infinity and beyond.
Ellie Saab
Images via: Style.com
Delicate, dainty and pretty were the orders of the day at Ellie Saab.
 You can see why his dresses are a firm favourite with the celebs on the
 red carpet, they are feminine yet not too girly, they are figure 
flattering and well-designed. You could easily imagine every single 
pastel shade of gown that was presented, as a possible Oscars candidate.
Bouchra Jarrar
Images via: Style.com
What an interesting collection, one which caught the eye from the 
other Spring couture offerings, wearable tailored pieces with a sharp 
military edge, diffused with delicate flowing print dresses and blouses.
 Each look was carefully thought-out, a classic item for every woman’s 
wardrobe. Accents of fur and cosy snoods reminded me of vintage 
trimmings, which can add a unique touch to simplistic garment as Bouchra
 Jarrar proved.Giambattista Valli
Images via: Style.com
Grown-up glamour maximised; a palette of black, creams and splashing 
of fuchsia.  See-through fabrics entice and the sparkles add a certain 
type of flirtatious Hollywood glam. Clusters of flowers applied 
different dimensions to simplistic shapes.Givenchy
Images via: Style.com
The artistry of Ricardo Tisci collection was evident, with highly 
executed pieces some of which had been claimed to take up to 350 hours 
to complete. Tisci inspirations were apparently a few obscure twenties 
films: 1927 Fritz Lang movie Metropolis and 1924's Aelita: Queen of Mars. The influence of which were most clearly defined with the Art Deco embellishments on the dresses.Alexis Mabille
Images via: Style.com
Extravagant, exotic hued flowerbomb explosion, the models resembled 
some sort of icons of a perfume promotion, painted faces to match their 
assemble.
“There was scarcely an outfit that wouldn't have worked a miracle in a Hollywood film from the thirties or forties or fifties that called for the heroine to wear "fashion”. ” – Style.com
Designer Mabille is said to have been inspired by these two iconic photographs for the collection:

Model Lisa Fonssagrives Photo Louise Dahl Wolf, Vogue, Jan 1963

Photo Patrick Demarchelier ˜ Christy Turlington, British Vogue, New York, February 1992
Christy Turlington by Patrick Demarchelier also provided a bit of background and the instant referencing becomes clear when looking at the collection.
“There was scarcely an outfit that wouldn't have worked a miracle in a Hollywood film from the thirties or forties or fifties that called for the heroine to wear "fashion”. ” – Style.com
Designer Mabille is said to have been inspired by these two iconic photographs for the collection:
Model Lisa Fonssagrives Photo Louise Dahl Wolf, Vogue, Jan 1963
Photo Patrick Demarchelier ˜ Christy Turlington, British Vogue, New York, February 1992
Christy Turlington by Patrick Demarchelier also provided a bit of background and the instant referencing becomes clear when looking at the collection.
Armani Privé
Images via: Style.com
A relatively new line added to the Armani portfolio has seen many 
outings already by the stars at various award do’s. The spring 
collection had a futuristic mixture of fabrics and invented seas of the 
underworld colours, representing the theme of metamorphosis with 
particular emphasis on the snake.Our money is on Jessica Chastain wearing Armani Privé for the Oscars considering she found out about her nomination on the front row.
Versace
 
Images via: Style.com
This was the first outing on the Paris Couture schedule since 2004 for Atelier Versace
 range. The dresses are designed to wow and accentuate the figure, while
 cleverly hidden panels illusionary contour, while added inserts changes
 the figure in various places on the hips and waist.
“Evoked Thierry Mugler's eighties glory days on the one hand and the movie Metropolis on the other” – Style.com
Retro underpinnings with a full contemporary slant.
Jean Paul Gaultier
Images via: Style.com
JPG paid the ultimate Homage to late Miss 
Amy Winehouse, as models impersonated her recognisable style, which of 
course has prominent pin-up 50’s roots. Beehives, flicking eye make-up 
and pencil skirts. The collection was full of bright acid colours and 
figures cinched by Mr. Pearls wonderful corset creations.





































